Below are the
official band biographies for Iron Mask and Magic Kingdom with
some personal information at the bottom.


4 years on from the critically acclaimed "Hordes Of The Brave"
Iron Mask are back with their most potent release yet in "Shadow
Of The Red Baron". Home to a fine collection of melodic
neo-classical tracks, this album is full of first class material
from start to finish. Chief songwriter and guitar virtuoso Dushan
Petrossi's particular focus this time was to create superb songs
first and foremost where the excellent musicianship only lift the
music to an even higher level.
"Shadow Of The Red Baron" is home to 11 tracks which deliver
melodic neo-classical metal yet is accessible enough for fans of
traditional metal and power/symphonic metal to get into. Each of
the 10 vocal tracks feature addictive vocal melodies in the verses
and choruses. Dushan's virtuoso musicianship is stronger than ever
here serving up a feast of metal treats. The lone instrumental
"Ghost Of The Tsar" offers up something different with its
aggressive vocals used to compliment Dushan's majestic fretwork.
Once again the stunning vocals of Valhalla Jnr are heard on the
majority of the tracks whilst Oliver Hartmann has a guest lead
vocal on "Dreams" as well as contributing to the backing choirs on
the other numbers. New permanent drummer Erik Stout (Reign Of
Terror) has added a solid backdrop to all tracks with Petrossi
commenting "Erik is a real powerful drummer, I like his groove a
lot, his tom files are like earthquakes, and he's the perfect guy
for the melodic tunes we have on "Shadow Of The Red Baron". A new
keyboardist in Andreas Lindahl (Wuthering Heights / The Murder Of
My Sweet) is also present adding deft touches and fluid solos to
the album whilts long term member Vassili Moltchanov still anchors
down the bass. Finally Lars Eric Mattsson has a guest spot with
his guitar solo being heard on the 3rd guitar solo on "Sahara".
On the album Dushan comments, "Once again there's a mix of epic
tracks, melodic and neo classical numbers all with great musicians
and vocalists, I'm very happy with the choruses of all songs, they
stay in your head and this is really what I wanted. Nowadays it
seems like bands have forgot how to write good songs, which is for
me the most important thing".
In the run up to the albums creation Dushan endured a long family
member illness followed by the passing away of his mother, this
affected the lyrics and this emotional aspect can be heard in
"Forever In The Dark", "My Angel Is Gone", "We Will Meet Again"
etc. However, there are also the expected epic stories for the
likes of "Black Devil", "Resurrection" and the title track. The
album was produced by Dushan and mixed and mastered by Jen Bogren
in Sweden at Fascination Street Studio (Symphony X, Opeth etc).
Artist Eric Phillipe again produced a visually grabbing piece of
artwork around the idea of the title track.
In addition a promotional video has been filmed for "Forever In
The Dark" and this will be available on the limited edition first
press only CD/DVD dual pack. The DVD is also home to in-depth
interviews with the band as well as a guitar lesson with Dushan
where he shows you how he plays various tracks on the album - a
must own release.


For Dushan Petrossi it does matter whether a song is impressive
because of the technical virtuosity of the instrumentalist or
whether it also has a memorable tune suitable for normal
music-lovers. "My compositions are always based on melodies you
will remember. The listener should be able to keep the melody in
mind, should be able to hum it and not be overpowered by the
instrumentation." The interesting thing about this statement is
the fact that Petrossi has the reputation of being an excellent
guitarist, often described by the music press as being the
legitimate heir to the Yngwie Malmsteen throne. But as we already
said, for the guitar genius, there is more to a composition than
ego manic self-importance. And it is just this that he proves on
the second album "Metallic Tragedy" of his band Magic Kingdom, the
appearance of which marks five years since the bands suitably
named debut work "The Arrival". It was five years in which
Petrossi and Co. had to conquer numerous setbacks, which however
did nothing to dampen the energy and overflowing cauldron of ideas
of "Metallic Tragedy".
Besides his activities for Magic Kingdom, Petrossi - when time
permits - also works on his solo project, Iron Mask. His priority
lies, however, with the band, which is wholly made up of excellent
musicians. Singer Max Leclerq is from France. Magic Kingdom is his
first professional band, which allows him to develop his talent as
well as his fascinating voice. Bass player Vassili Moltchanov
already played on the band's debut album, whilst drummer Anton
Arkhipov (formerly Exhumator) and keyboarder Aymeric Ribot are new
members in the band. "It was not easy finding suitable musicians
with the required technical skills and the ability of integrating
into the band," says Petrossi. "It was especially difficult to
find a keyboarder, but we found the perfect person in Aymeric." At
this point we should also mention the guest vocalist, Oliver
Hartmann. The former frontman of the German Melodic Metal band At
Vance is brilliant during two lead vocals spots (´Flying Pyramids`
and ´Master Of Madness`) and also did all the choir parts and
background vocals on the album. "I was always a great fan of his
voice," Petrossi admits. "So when he left At Vance I contacted him
and asked him whether he would like to help us out. I am really
thrilled with his work on the album".
The band's style can be best described as ´Symphonic Power Speed
Metal`. Yet there are definite differences between Magic Kingdom
and the general clichees of this genre. "What separates us from
other bands of this style is the aggressivity of our songs. We
don't just always play an exclusively melodic style. We insert
harder passages into our songs. Other bands don't like to do that
because they're afraid of frightening away fans with aggressive
parts. We like to experiment. My primary criteria is originality
so it's not important for me whether a song turns out to be of an
epic size, or whether it's short." And exactly these criteria are
filled on "Metallic Tragedy". The title track, for example,
touches the very borders of the genre in view of both its length
and its style. The 13 minute long track is epic and theatrical,
has five very different vocal moods, from dark and heavy to
soprano and baritone, and can be described as a Metal mini-opera.
"I think this song is progressive in the true meaning of the word.
It doesn't have just one mood, but many, from low to high, all
very different from each other."
The overall concept of Magic Kingdom also includes, short,
straight tracks, because the overall concept is not permitted to
bow down to any limitations. What is permitted, is to do what
pleases the band and what the character of the song demands. In
keeping with this, Petrossi can lean on his personal favourites
and preferences. "As a young musician I was primarily interested
in Melodic Metal, then Iron Maiden, Yngwie Malmsteen and Gary
Moore were added to my list, but I was always fascinated by
history's great composers such as Bach and Vivaldi. I adore
baroque music, but not Renaissance much. My aim as a guitarist and
composer is to create a new, exclusive sound of my own, based on
all these influences.
The cover artwork of this album is from no lesser artist than Leo
Hao, who, in the past, has worked for bands such as Iced Earth and
Blind Guardian.

Age: 23/02/1973
Marital status: single, one 10 years old child (Anthony)
Nationality: Belgium
Current bands: Iron Mask, Magic Kingdom
Previous bands: Career started with MK and IM
Endorsements: Lag guitars, Elixir strings, Dunlop pics
Favourite bands: old Maiden, old Rising force, old Symphony X,
Gary Moore, Handel, Bach and a lot more.
Favourite movie: Gladiator
Favourite food: 600 gr T- bone steak, Yugoslavic food, Italian,
Chinese.
Favourite drink: Johnny walker red with coke, Slivovica, Jack
Daniels, hoegaarden white beer, Perrier, Ice tea